Editor Joe Bini, who worked with Werner Herzog on twenty-seven films, recalls what it was like to collaborate with a larger-than-life filmmaker.
Editing
‘I’m somewhere between a midwife and a psychoanalyst’: Julien Lacheray on editing Proxima
Julien Lacheray, who has edited all of Alice Winocour’s features, discusses the collaboration between filmmaker and editor, thinking about sound, and Proxima. This is the second article in our Special Issue on Proxima.
Lara Johnston dissects her award winning editing on Mouthpiece
Lara Johnston discusses the challenges of editing flashbacks and musical scenes in Mouthpiece.
Personal Shopper conflates depression with technological obsession
In Personal Shopper, the boundary between Maureen and others is both because of technology and merely exacerbated by it.
Helle Le Fevre discusses editing The Souvenir
Helle Le Fevre discusses editing The Souvenir, her evolving collaboration with Joanna Hogg since Unrelated, working with improvised material, and collaborating with the sound team
Waad Al-Kateab and Edward Watts on their doc For Sama
Besieged in Aleppo, Waad Al-Kateab kept filming. From her incredible archive, she assembled with British director Edward Watts the breathtaking and harrowing documentary For Sama.