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Editing

Orla Smith / August 19, 2021

What is it like to work with Werner Herzog?

Editor Joe Bini, who worked with Werner Herzog on twenty-seven films, recalls what it was like to collaborate with a larger-than-life filmmaker.

Alex Heeney / November 11, 2020

‘I’m somewhere between a midwife and a psychoanalyst’: Julien Lacheray on editing Proxima

Julien Lacheray, who has edited all of Alice Winocour’s features, discusses the collaboration between filmmaker and editor, thinking about sound, and Proxima. This is the second article in our Special Issue on Proxima.

A collage of stills from the film Mouthpiece, with the headshot of editor Lara Johnston in front of them. The text reads, 'Interview'.

Orla Smith / October 3, 2020

Lara Johnston dissects her award winning editing on Mouthpiece

Lara Johnston discusses the challenges of editing flashbacks and musical scenes in Mouthpiece.

Alex Heeney / November 5, 2019

Personal Shopper conflates depression with technological obsession

In Personal Shopper, the boundary between Maureen and others is both because of technology and merely exacerbated by it.

Orla Smith / July 28, 2019

Helle Le Fevre discusses editing The Souvenir

Helle Le Fevre discusses editing The Souvenir, her evolving collaboration with Joanna Hogg since Unrelated, working with improvised material, and collaborating with the sound team

Elena Lazic / May 25, 2019

Waad Al-Kateab and Edward Watts on their doc For Sama

Besieged in Aleppo, Waad Al-Kateab kept filming. From her incredible archive, she assembled with British director Edward Watts the breathtaking and harrowing documentary For Sama.

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