Elle-Máijá Tailfeathers and Kathleen Hepburn’s The Body Remembers When the World Broke Open explores difficulties in communication between two Indigenous women with very different viewpoints and life experiences
Indigenous
TIFF19 review: Kuessipan , a standout Indigenous coming-of-age story
Myriam Verreault’s Kuessipan is a captivating story about two teenage girl’s friendship on a Quebec Innu reserve
Hot Docs ’19: Conviction, Buddy, Willie, and more
Our capsule reviews highlight six of the standouts at the 2019 Hot Docs Canadian International Documentary Festival: Conviction, Buddies, Willie, In My Blood It Runs, We Will Stand Up, and Push. Watch out for them as they travel the festival circuit and arrive on home viewing platforms.
‘We want to show the joy and humour and love in our communities’: An interview with the filmmakers of The Grizzlies
Director Miranda de Pencier and Inuk producer Alethea Araquq-Baril discuss the making of The Grizzlies, telling Indigenous stories, and why de Pencier wanted to tell this story. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.
Imogen Thomas on Emu Runner: ‘The film willed its way into existence.’
Director Imogen Thomas discusses her feature, Emu Runner, which explores an Aboriginal girl’s (Rhae-Kye Waites) grief — and her community’s resilience — after her mother’s death.
Interview: Edge of the Knife tells a pre-colonialism story of the Haida legend of ‘The Wildman’
Co-director and Haida artist Gwaai Edenshaw discusses his landmark film Edge of the Knife (Sgaawaay K’uuna), the first feature film made in the Haida language. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.