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Production Design

A headshot of Oslo, August 31st production designer Jørgen Stangebye Larsen in front of a still from the film. The text on the image reads, 'Oslo, August 31st at 10', written with white text in front of a purple background.

Orla Smith / August 31, 2021

Designing a journey through Oslo

Jørgen Stangebye Larsen, Oslo, August 31st’s production designer, discusses crafting a geographically realistic portrait of the city.

Seventh Row Editors / June 21, 2020

Suzie Davies and Stéphane Collonge masterclass: On Production design

In this session of Lockdown Film School, we present a production design masterclass with Suzie Davies and Stéphane Collonge.

Alex Heeney / July 17, 2019

Spatial relationships in the films of Joanna Hogg

In all of her films, Joanna Hogg uses spaces to structure her characters’ relationships, often finding them trapped by their own privilege and complacency in safe spaces; the characters need to step outside their comfort spaces to grow and develop. This essay appears in the new Seventh Row ebook Tour of Memories: The Creative Process […]

Suzie Davies, Suzie Davies production designer, Suzie Davies Peterloo, Suzie Davies Mike Leigh

Orla Smith / April 24, 2019

Production designer Suzie Davies on Mike Leigh and ‘actors surgeries’

Production designer Suzie Davies discusses how her production design plays into Mike Leigh’s rehearsal process with what she calls ‘actors surgeries.’

Suzie Davies, Suzie Davies Interview

Orla Smith / June 22, 2018

Interview: On Chesil Beach‘s sets destabilize its characters

On Chesil Beach production designer Suzie Davies discusses researching period, creating environments that contrast with the film’s characters, and how different her process is when working with Mike Leigh. Read the rest of our On Chesil Beach Special Issue here.

Ryan Warren Smith, Production Design, Lean on Pete, Charlie Plummer, Chloë Sevigny

Orla Smith / April 18, 2018

Interview: Colour reveals character in LOP‘s set design

Lean on Pete production designer Ryan Warren Smith discusses how he created rich, detailed environments that subtly reveal character. This is the third feature in our Special Issue on Lean on Pete.

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