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Joanna Hogg calls The Souvenir Part II “a film about the making of Part I.” Back in 2019, we wrote an ebook about the making of Part I. On this episode, find out how Part II changes how we see Part I and builds Julie’s character arc.
In all of her films, Joanna Hogg uses spaces to structure her characters’ relationships, often finding them trapped by their own privilege and complacency in safe spaces; the characters need to step outside their comfort spaces to grow and develop. This essay appears in the new Seventh Row ebook Tour of Memories: The Creative Process Behind Joanna Hogg’s The Souvenir, and is available here as a free preview for 2 weeks only. Get your copy of the book here.
[Read more…] about Spatial relationships in the films of Joanna HoggIn The Souvenir, Joanna Hogg demonstrates Julie’s development from a shy observer to the main character in her own story through the way Julie occupies the room and the frame. This essay is a sneak preview of the new ebook on the film, Tour of Memories: The Creative Process Behind Joanna Hogg’s The Souvenir. Get your copy of the book here.
[Read more…] about Approaching center frame in The SouvenirOur latest episode of the Seventh Row podcast is the perfect companion piece to our new ebook, Tour of memories: The creative process behind Joanna Hogg’s The Souvenir. We discuss the film in depth and explore the insights gleaned from the in-depth interviews in the book.
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“This film assumes the viewer has a huge amount of context that I don’t think most of us had.” – Mary Angela Rowe. Through repeated viewings and research, we are here to provide this context.
In this episode of the podcast, Editor-in-Chief Alex Heeney (@bwestcineaste), Executive Editor Orla Smith (@orlamango), and Editor at Large Mary Angela Rowe (@lapsedvictorian) discuss Joanna Hogg‘s The Souvenir, cringeworthy class relations, celebrate the film’s sound editing, parse the film’s toxic relationship, and much more.
If you enjoyed the podcast on The Souvenir, we go even deeper into how the film works and how it was made in the book, Tour of Memories: The Creative Process Behind Joanna Hogg’s The Souvenir
In this episode of the podcast, we discuss how, with The Souvenir, Joanna Hogg continues to explore her pet topics — the stifling nature of privilege, the awkwardness and foibles of the British upper class, women’s stories, and more. At the same time, the film marks a significant departure from Hogg’s previous films. Where her first three features were contemporary dramas focused on the dynamics of relationships, The Souvenir is Hogg’s first period piece, her first coming-of-age story, and her first film to centre a young female protagonist. In this episode of the podcast, we go deep into all of these topics and the film.
Set in 1980s London, The Souvenir is a film very much of its time and place. Understanding that milieu is essential to appreciating the nuances and complexities of the film, and we give this context in our discussion on the podcast. The Souvenir focuses on a central romantic relationship from the perspective of the woman. The central relationship in The Souvenir is unambiguously toxic: Julie’s (Honor Swinton-Byrne) paramour, Anthony (Tom Burke), is a decade her senior and a heroin addict sponging off her generosity and privilege. Hogg helps us understand why Julie is so enamoured with Anthony — he is the one person who takes her seriously and exposes her to art and culture and the world beyond her privileged circle.
This podcast episode was designed to accompany the book on The Souvenir, which is available to purchase as an ePub and PDF.
In 2016, Alex wrote about how the promise Tom Hiddleston displayed in Joanna Hogg’s films was being thwarted by his star persona (a situation that hasn’t improved in the last three years).
Shooting kitchens and living rooms as different spaces was also a subject in Alex’s interview with Aquarius director Kleber Mendonça Filho.
This episode was edited by Edward von Aderkas.
Errata:
Discover the top 5 reasons we love Joanna Hogg
Read about our three favourite scenes from The Souvenir
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