Host director Rob Savage returns with DASHCAM, a new pandemic horror film, featuring a main character as evil as the creatures attacking her.Click here to find …
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TIFF21
Good Madam review: A haunted house in post-Apartheid South Africa
In Jenna Cato Bass's horror film, Good Madam, a Black family's domestic servitude to a white family is the stuff of nightmares.Click here to find all of our …
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The Gravedigger’s Wife offers a touching slice of Somali life
The Gravedigger's Wife follows a Somali gravedigger's desperate search for funds to finance life-saving surgery for his wife.Read Orla Smith's interview with …
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Holocaust drama The Survivor is a showcase for Ben Foster
Ben Foster gives a complex, layered performance in Barry Levinson's The Survivor, a film that serves as Holocaust Trauma 101.In 1999, Barry Levinson cast …
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TIFF Review: The Mad Women’s Ball is a shallow look at ‘female hysteria’
Mélanie Laurent's The Mad Women's Ball suffers in comparison to Alice Winocour's Augustine (2011), which tackles the same story with more psychological …
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Benediction thoughtfully depicts a community of gay men
Benediction may be Terence Davies's gayest film yet: a character study of a WWI poet who keeps trying to reinvent himself and find solace. Jack Lowden was on …
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