Host director Rob Savage returns with DASHCAM, a new pandemic horror film, featuring a main character as evil as the creatures attacking her.
TIFF21
Good Madam review: A haunted house in post-Apartheid South Africa
In Jenna Cato Bass’s horror film, a Black family’s domestic servitude to a white family is the stuff of nightmares.
The Gravedigger’s Wife offers a touching slice of Somali life
The Gravedigger’s Wife follows a Somali gravedigger’s desperate search for funds to finance life-saving surgery for his wife. Read Orla Smith’s interview with the film’s director here In Khadar Ayderus Ahmed’s first feature, The Gravedigger’s Wife, which premiered in Semaine de la Critique at Cannes, the great irony is that Guled (Omar Abdi) earns his […]
Holocaust drama The Survivor is a showcase for Ben Foster
Ben Foster gives a complex, layered performance in The Survivor, a film that serves as Holocaust Trauma 101.
TIFF Review: The Mad Women’s Ball is a shallow look at ‘female hysteria’
Mélanie Laurent’s The Mad Women’s Ball suffers in comparison to Alice Winocour’s Augustine (2011), which tackles the same story with more psychological complexity.
Benediction thoughtfully depicts a community of gay men
Benediction may be Terence Davies’s gayest film yet: a character study of a WWI poet who keeps trying to reinvent himself and find solace.