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TIFF21

Alex Heeney / September 12, 2021

‘The more we went inside Lise’s perspective, the better it got’: Tea Lindeburg on As in Heaven

Director Tea Lindeburg discusses her remarkable film As in Heaven about a day in the life of a teenage girl about to lose everything in 1880s Denmark.

Alex Heeney / September 11, 2021

TIFF Review: Learn to Swim is treading water

Thyrone Tommy’s feature debut is all vibe with little substance but it nails the milieu of twentysomething jazz musicians in Canada.

Alex Heeney / September 11, 2021

Oscar Peterson: Black + White does a disservice to its subject

Barry Avrich’s documentary Oscar Peterson: Black + White barely scratches the surface of the great jazz pianist’s life, music, and legacy.

A still from Scarborough in which three young kids lie down on a colourful floor, gazing happily at the ceiling. The text on the image reads 'TIFF Review'.

Orla Smith / September 10, 2021

TIFF Review: Scarborough is one of the festival’s most stirring crowdpleasers

Scarborough, from directors Rich Williamson and Shasha Nakhai, is a big-hearted portrait of families in a low-income neighbourhood.

A still from Aloners, in which a young woman sits at a table, her head downturned, her face passive. The text on the image reads 'TIFF Review'.

Orla Smith / September 10, 2021

TIFF Review: Aloners is a melancholy ode to society’s loners

South Korean filmmaker Hong Seong-eun’s Aloners is a low-key film about loneliness and how capitalism takes advantage of depressed people.

Alex Heeney / September 9, 2021

TIFF Review: Neus Ballús’s The Odd-Job Men is a delightful comedy

Neus Ballús’s The Odd-Job Men is a quiet, lovely little film that charts a week in the life of three “odd-job men” on the outskirts of Barcelona.

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