True Mothers is one of Naomi Kawase’s best films to date, a thoughtful drama about the shame associated with unconventional motherhood.
Toronto International Film Festival
TIFF Review: The Best is Yet to Come is a freelancer’s wet dream
Jing Wang’s directorial debut, The Best is Yet to Come, is a middle-of-the-road story on the value of journalism has little new to offer.
TIFF Review: The New Corporation: The Unfortunately Necessary Sequel is less than necessary
Jennifer Abbott and Joel Bakan’s The New Corporation is a documentary sequel to The Corporation that’s not as radical as it thinks it is.
TIFF Review: Bandar Band is a road trip through the 2019 Iran floods
The 2019 Iran floods are the backdrop of director Manijeh Hekmat’s often lighthearted film, Bandar Band.
TIFF Interview: Sofia Bohdanowicz on grief and magical thinking in Point and Line to Plane
Sofia Bohdanowicz’s short Point and Line to Plane is her most personal film to date, a meditation on grief that marks a formal shift for the director. Read her insights…
TIFF Review: Bosnian genocide drama Quo Vadis, Aida? grapples with complicity
Jasmila Žbanic’s Quo Vadis, Aida?, a harrowing drama about the 1995 Bosnian genocide, is one of the best films of TIFF 2020. Find out why…