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Toronto International Film Festival

Seventh Row Editors / September 22, 2020

Ep. 58: A look back at TIFF 2020, part 1

In this episode, we discuss highlights of TIFF 2020, from buzzed-about films like Ammonite and Nomadland to lesser known hidden gems.

A couple embraces in Naomi Kawase's True Mothers.

Alex Heeney / September 22, 2020

TIFF Review: True Mothers explores the trauma and shame of motherhood

True Mothers is one of Naomi Kawase’s best films to date, a thoughtful drama about the shame associated with unconventional motherhood.

A man sits in a darkened room surrounded by newspapers in The Best is Yet to Come.

B. P. Flanagan / September 20, 2020

TIFF Review: The Best is Yet to Come is a freelancer’s wet dream

Jing Wang’s directorial debut, The Best is Yet to Come, is a middle-of-the-road story on the value of journalism has little new to offer.

A still from The New Corporation.

B. P. Flanagan / September 20, 2020

TIFF Review: The New Corporation: The Unfortunately Necessary Sequel is less than necessary

Jennifer Abbott and Joel Bakan’s The New Corporation is a documentary sequel to The Corporation that’s not as radical as it thinks it is.

Alex Heeney / September 17, 2020

TIFF Review: Bandar Band is a road trip through the 2019 Iran floods

The 2019 Iran floods are the backdrop of director Manijeh Hekmat’s often lighthearted film, Bandar Band.

A still from Point and Line to Plane and an image of director Sofia Bohdanowicz

Justine Smith / September 17, 2020

TIFF Interview: Sofia Bohdanowicz on grief and magical thinking in Point and Line to Plane

Sofia Bohdanowicz’s short Point and Line to Plane is her most personal film to date, a meditation on grief that marks a formal shift for the director. Read her insights…

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