Éva Husson’s Bang Gang (A Modern Love Story) finds a sweet romance in a tale of teenagers these days and their orgies. The film opens on a pubescents-gone-wild party in a small-town mansion in France. The camera pans around the room to reveal that couples are having sex in the open, people are sitting around naked, […]
Toronto International Film Festival
TIFF15: Jennifer Peedom discusses her Everest doc Sherpa
Jennifer Peedom discusses the making of her terrific Everest doc, Sherpa, the first documentary to be told from the Sherpa’s perspective.
Victoria is a trying tale of an endless night of excitement
In the last act of Victoria, the male protagonist Sonne (Frederick Lau) asks a quivering man, who has obeyed his orders made at gunpoint, “Just how stupid are you?” I burst out laughing. It’s a tense moment, but the entire film has been an exercise in finding out just how stupid Sonne, and his infatuated […]
TIFF15: Manal Issa is an exquisite discovery in Parisienne
When Parisienne begins, we meet the beautiful Lina (Manal Issa), an eighteen-year-old freshman from Beirut, studying abroad in Paris. She’s eating dinner at her uncle’s house in the suburbs, the only connection to home she has in this strange country, when he attempts to rape her. She stops him, violently, before running out into the night […]
TIFF15 Review: The outside world is a prison in The Here After
Magnus von Horn’s directorial debut, The Here After, is a sensitive character study of a boy coping with the aftermath of his violent act.
88:88 is a formal and ideological marvel **** 1/2
88:88, an emphatic statement on poverty, debuts an exciting, radical new voice in cinema: Winnipeg-based Isiah Medina. The numbers ‘88:88’ flash across alarm clocks when electricity goes out: The accurate time is replaced by these place holders and time essentially stands still. The central philosophical meaning of 88:88 in the film is one of stasis, and how that stasis caused by poverty subjects people to a minimized life.