In this interview, Lucio Castro discusses the total freedom of low-budget filmmaking for his queer Cannes ACID film Drunken Noodles.
World Cinema
Film Review: Pauline Loquès’s Nino at Cannes
Alex Heeney reviews Pauline Loquès’s feature debut, Nino, starring Théodore Pellerin, which screens in the Critics’ Week sidebar at Cannes. The film tells the story of a twentysomething man’s nervewrecking weekend after he’s diagnosed with c
ancer and before he starts treatment.
Film Review: Alice Douard’s Love Letters
Alex Heeney reviews Alice Douard’s debut feature Love Letters, which screens in the Critics’ Week sidebar at Cannes. The film tells the story of a queer woman in 2014 whose partner is pregnant with their child, and the paperwork involved with becoming her daughter’s legal parent.
Interview: Jean-Pierre and Luc Dardenne on The Unknown Girl
Jean-Pierre and Luc Dardenne discuss the making of The Unknown Girl, the sound design, and creating reality on screen.
Ep. 171 Navigating Cannes beyond the competition
On the podcast, Alex unveils the inner workings of all of the lesser-known sections of the Cannes Film Festival beyond the competition. She also talks about the many great films that have screened outside the competition in the past and what she’s looking forward to this year.
Ep. 165 Alain Guiraudie’s Misericordia and what we can learn from a film’s opening scene
On the podcast, Alex recommends Alain Guiraudie’s film Misericordia and delves deep into the film’s compelling opening scene.