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B. P. Flanagan

B. P. Flanagan / October 24, 2019

Pain and Glory is a knotty self-portrait

In Pain and Glory, Almodovar brings together fiction and biography to create a knotty self-portrait.

B. P. Flanagan / September 14, 2019

TIFF19 review: Abba Makama’s The Lost Okoroshi explores modern African identity.

Abba Makama’s The Lost Okoroshi weaves a compelling narrative around what could be a tired trope

B. P. Flanagan / September 12, 2019

TIFF19 review: White Lie is a chilling, meticulous study of duplicity

College girl pretending to have cancer to raise money for… something, is an incredibly dicey, tense premise which Calvin Thomas and Yonah Lewis direct the hell out of.

B. P. Flanagan / September 9, 2019

TIFF19 review: Hind Meddeb’s documentary Paris Stalingrad captures a particular political moment

Hind Meddah’s Paris Stalingrad questions the spectacle of authoritarian xenophobia.

B. P. Flanagan / August 14, 2019

‘Connection to landscapes’: William McGregor on folk horror and Gwen

B. P. Flanagan interviews Gwen director William McGregor about making a gothic horror film in the foggy atmosphere of Northwest Wales.

an outdoor screening at il cinema ritrovato

B. P. Flanagan / July 12, 2019

Cinephilia takes over at Il Cinema Ritrovato

B. P. Flanagan recounts his experience attending the 2019 Il Cinema Ritrovato, the world’s premiere festival for restored and rediscovered cinema, located in Bologna, Italy.

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