Thelma has been compared to Brian De Palma’s Carrie, but Trier gives his female lead agency whereas Carrie was simply a victim. This is an excerpt from our …
[Read more...] about Thelma is more than just a modern Carrie
A place to think deeply about movies
To celebrate the release of Joachim Trier's Thelma, his fourth feature and the Norwegian submission for the 2018 Foreign Language Oscar, we are dedicating a full issue to essays on the film, and interviews with the filmmakers. Here you'll find all of our articles on the film.
Alex Heeney interviews writer Eskil Vogt
Alex Heeney interviews director Joachim Trier
Alex Heeney interviews cinematographer Jakob Ihre
Alex Heeney contextualizes the film within Trier's oeuvre
Orla Smith compares the film to Brian De Palma's Carrie
Thelma has been compared to Brian De Palma’s Carrie, but Trier gives his female lead agency whereas Carrie was simply a victim. This is an excerpt from our …
[Read more...] about Thelma is more than just a modern Carrie
Although it is his first foray into genre, Thelma is a continuation of director Joachim Trier’s signature ‘dirty formalism’, and further explores the themes of …
[Read more...] about With Thelma, Joachim Trier continues to develop his ‘dirty formalism’
Cinematographer Jakob Ihre discusses adapting to shooting on itital, lighting different characters for a thematic purpose, and how production design affects his …
In this interview, director Joachim Trier discusses Thelma, the dynamic between the subjective and objective gaze, portraying a dysfunctional father-daughter …
[Read more...] about Director Joachim Trier on his ‘gaze from another place’ in Thelma
In this interview, co-writer Eskil Vogt discusses approaching genre cinema for the first time in Thelma, depicting characters’ interiority on screen, and his …