In this essay, Orla Smith explores how Raw is as much about the experiences of her sister, Alex (Ella Rumpf), and their relationship — which saves Justine. This …
[Read more...] about Sisterhood is the saviour in Julia Ducournau’s humanist Raw
A place to think deeply about movies
In this essay, Orla Smith explores how Raw is as much about the experiences of her sister, Alex (Ella Rumpf), and their relationship — which saves Justine. This …
[Read more...] about Sisterhood is the saviour in Julia Ducournau’s humanist Raw
Paul Verhoeven's Elle and Jean-Marc Vallée's Big Little Lies share the common goal of unmasking the omnipresence of misogyny via its horrific …
[Read more...] about Elle and Big Little Lies: Progressive representations of violence against women
In this excerpt from the ebook In Their Own Words: Documentary Masters Vol. 1, Steve James discusses the making of his documentary ABACUS: Small Enough to Jail. …
[Read more...] about Steve James talks ABACUS: Small Enough to Jail
By using text messaging as a source of terror that morphs into eroticism, Personal Shopper acknowledges and subverts horror traditions. …
Olivier Assayas discusses the visual and aural aesthetic of Personal Shopper and how he shot that impressive texting set piece.This is an excerpt of the …
[Read more...] about Olivier Assayas on Personal Shopper, filming text messages
Mary Angela Rowe's review of Raw. Cannibalism is definitely a lady problem in Julia Ducournau’s Raw, but the film isn't about the horror of female sexuality so …
[Read more...] about Julia Ducournau’s Raw is a new kind of female body horror