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Alex Heeney / September 2, 2021

Anders Danielsen Lie reflects on his breakout role in Oslo, August 31st

For the 10th anniversary of Joachim Trier's Oslo, August 31st, Anders Danielsen Lie reflects back on his work on the film and how it has influenced his approach …

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Seventh Row Editors / September 2, 2021

Ep. 107: Another Round and Oslo, August 31st: Are men OK? Masculinity, mental health, & addiction Redux

This week, we're celebrating the 10th anniversary of Joachim Trier's Oslo, August 31, our favourite film of the 2010s, on both the site and the podcast. As part …

[Read more...] about Ep. 107: Another Round and Oslo, August 31st: Are men OK? Masculinity, mental health, & addiction Redux

A headshot of Oslo, August 31st production designer Jørgen Stangebye Larsen in front of a still from the film. The text on the image reads, 'Oslo, August 31st at 10', written with white text in front of a purple background.

Orla Smith / August 31, 2021

Designing a journey through Oslo

Jørgen Stangebye Larsen discusses crafting Oslo, August 31st's production design and creating a geographically realistic portrait of the city. This essay is …

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The header image of this essay shows a still from Oslo, August 31st next to a still of characters from Louder Than Bombs, behind a streak of purple bearing the white text: "Oslo, August 31st at 10".

Alex Heeney / August 30, 2021

There is a world elsewhere: Exile in Joachim Trier’s Oslo, August 31st and Louder Than Bombs

In this essay, we discuss exile in two Joachim Trier films: Oslo, August 31st's clear cut, fatalistic story of exile, and how that sense of estrangement in …

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Orla Smith / August 19, 2021

What is it like to work with Werner Herzog?

Editor Joe Bini, who worked with Werner Herzog on twenty-seven films, recalls what it was like to collaborate with a larger-than-life filmmaker. This is an …

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Seventh Row Editors / August 16, 2021

What do you call your nonfiction film?

Six filmmakers, from Penny Lane to Kirsten Johnson, weigh in on the question, what do you call your nonfiction film? This is an excerpt from our ebook …

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