Maxine Peake leads Thomas Clay's refreshing genre film, Fanny Lye Deliver'd (The Delivered in the US), about a woman's emancipation. We named Fanny Lye …
[Read more...] about Review: Maxine Peake shines in Fanny Lye Deliver’d (The Delivered)
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Explore films that leverage — and problematize — the definitions of a given genre, from horror films to the Western.
Maxine Peake leads Thomas Clay's refreshing genre film, Fanny Lye Deliver'd (The Delivered in the US), about a woman's emancipation. We named Fanny Lye …
[Read more...] about Review: Maxine Peake shines in Fanny Lye Deliver’d (The Delivered)
This year's Unnamed Footage Film Festival was a 24-hour livestream that illuminated the best and worst traits of the found footage genre. At 6am GMT, …
[Read more...] about Found footage gets a showcase at the Unnamed Footage Film Festival
Lindsay Pugh runs down the best of Final Girls Berlin 2021, from Your Monster to Time of Moulting to The Returned. While I wouldn’t exactly call myself a …
[Read more...] about Highlights from the Final Girls Berlin Film Festival 2021
Kourosh Ahari’s The Night, a rare American-Iranian co-production, is a disappointedly cliched horror offering. The Night will be released virtually in the US …
[Read more...] about The Night Review: A low-budget chiller starring Shahab Hosseini
Indie Memphis Film Festival 2020 showcased genre films (I Blame Society, Freeland), documentaries (Cane Fire), and restorations (Smooth Talk). Over the …
[Read more...] about Indie Memphis 2020: From Cane Fire to Smooth Talk
Shadow in the Cloud is a strange Frankenstein of director Roseanne Liang’s feminist perspective and the ludicrous sensibilities of screenwriter Max Landis, who …
[Read more...] about TIFF Review: Shadow in the Cloud is a film of two halves
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