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Essays

Lindsay Pugh / January 6, 2022

The Lost Daughter is a skillful adaptation by Maggie Gyllenhaal

Maggie Gyllenhaal’s directorial debut skillfully adapts Elena Ferrante’s The Lost Daughter, the story of a middle-aged woman who shouldn’t have had kids and is now spiraling while on vacation. The film is now streaming worldwide on Netflix.

Alex Heeney / December 24, 2021

Run Woman Run is a feel good movie about recovering from trauma

Zoe Leigh Hopkins’s Run Woman Run is a thirty-something coming-of-ager about learning to love and care for yourself amidst a lot of trauma.

Alex Heeney / December 21, 2021

From Wood and Water to The Crossing, Festival du Nouveau Cinema is one of the best fall festivals

Montreal’s Festival du nouveau cinema showcased international films, including The Crossing, Wood and Water, and Introduction, and homegrown talent with The Noise of Engines and The Left-Hand Side of the Fridge.

An image with an oval photo of director Naomi Kawase, in front of two stills from two of her films: Suzaku and Vision, which are both screening in Japan Society's Flash Forward series.

Orla Smith / December 18, 2021

Rare Naomi Kawase films and more at Japan Society’s “Flash Forward” series

Until next Thursday, Japan Society is virtually screening a series of essential Japanese films across North America. From Suzaku to Wild Berries, these are our picks.

A purple and white image with circles enclosing stills from various films competing for the International Feature Oscar shortlist.

Seventh Row Editors / December 17, 2021

Our hopes for the Best International Feature Oscar shortlist

This year’s International Feature Oscar contenders are stacked. With the shortlist being announced next week, these are the films we hope will make the cut.

A still from Boiling Point, in which a man, the head chef, and a woman, his sous chef, lean urgently over the kitchen counter, where they are garnishing a dish.

Orla Smith / December 7, 2021

Boiling Point review: A thrilling glimpse into a restaurant’s hierarchy

Philip Barantini’s Boiling Point, starring Stephen Graham, is a one-take film that invites us into a London restaurant’s kitchen on the busiest night of the year.

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