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Essays

A still from Ali & Ava, in which a couple stands against a stormy sky, smiling together. The text on the image reads, 'TIFF Review'.

Orla Smith / September 17, 2021

Ali & Ava review: Clio Barnard crafts a lovely Bradford-set romance

Clio Barnard’s Ali & Ava stars Adeel Akhtar and Claire Rushbrook as two kindhearted people with complicated pasts falling in love.

A still from Huda's Salon, in which a woman clasps her baby to her chest and holds out a knife, hiding in anticipation of attack. The text on the image reads, 'TIFF Review'.

Orla Smith / September 16, 2021

TIFF Review: Huda’s Salon is a gripping thriller set in Occupied Palestine

Hany Abu-Assad directs Huda’s Salon, a thriller that posits: “It’s easier to occupy a society that is already repressing itself.”

Brett Pardy / September 16, 2021

TIFF Review: Alanis Obomsawin’s Honour to Senator Murray Sinclair

Alanis Obomsawin’s new short film, Honour to Senator Murray Sinclair, is a powerful presentation preserved on film.

A still from The Hill Where Lionesses Roar, in which the three girls faces each other and scream into the sky. The text on the images reads, 'TIFF Review'.

Orla Smith / September 14, 2021

The Hill Where Lionesses Roar is a smart, heartfelt debut from Luàna Bajrami

Portrait of a Lady on Fire actress Luàna Bajrami makes a wonderful directorial debut with The Hill Where Lionesses Roar, a coming-of-age tale set in Kosovo.

A still from DASHCAM, of a blurry figure in red, seem in the dark through a car's front window. The text on the images reads, 'TIFF Review'.

Orla Smith / September 14, 2021

TIFF Review: DASHCAM is a wild, gory ride

Host director Rob Savage returns with DASHCAM, a new pandemic horror film, featuring a main character as evil as the creatures attacking her.

A still from Good Madam, in which Tsidi, a Black woman in her thirties, holds out a tray of tea. The text on the image reads, 'TIFF Review'.

Orla Smith / September 14, 2021

Good Madam review: A haunted house in post-Apartheid South Africa

In Jenna Cato Bass’s horror film, a Black family’s domestic servitude to a white family is the stuff of nightmares.

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