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Essays

Still from Lingua Franca featuring Isabel Sandoval and Lynn Cohen standing next to each other. The image features the text: Interview.

Milly Gribben / August 28, 2020

Lingua Franca quietly reframes a trans woman’s experience

Isabel Sandoval’s Lingua Franca patiently observes the day-to-day life of a trans, undocumented Filipina immigrant living in Trump’s America.

Seventh Row Editors / August 17, 2020

Enter to win Kelly Reichardt films on Criterion

An image of David Thewlis in two of his best roles: one the left, Thewlis in Atom Egoyan's new film, Guest of Honour; on the right, Thewlis in Mike Leigh's Naked.

Alex Heeney / August 8, 2020

Remember David Thewlis’s greatness with Guest of Honour (or just rewatch Naked)

If you haven’t seen Naked, we’d suggest catching up with it on the Criterion Channel over watching Guest of Honour, but either will leave you hungry for more of Thewlis’ acting.

Seventh Row Editors / August 4, 2020

Ep. 51: Proxima and Baby Boom: Working mothers

Alice Winocur’s Proxima uses the astronaut film to show how mothers in professional setting have to both prove themselves in male-dominated environments and be a caring, supportive mom. This topic is somewhat rare on screen, bringing to mind the 1987 hidden gem Baby Boom.

Correspondences, Correspondencia, Carla Simón, Dominga Sotomayor Castillo

Orla Smith / July 28, 2020

Correspondencia is a rare dialogue between filmmakers

Carla Simón’s and Dominga Sotomayor Castillo’s shortform collaboration, Correspondencia (Correspondences), is a thrillingly urgent series of video letters.

Seventh Row Editors / July 21, 2020

Ep. 49: Lungs: In Camera and Conversations With Other Women: Split-screen storytelling

Matthew Warchus’ innovative split-screen version of filmed Old Vic live performance of Lungs reminded us of another relationship two-hander presented in split screen, Hans Canosa’s 2005 film Conversations With Other Women.

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