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Essays

A still from The New Corporation.

B. P. Flanagan / September 20, 2020

TIFF Review: The New Corporation: The Unfortunately Necessary Sequel is less than necessary

Jennifer Abbott and Joel Bakan’s The New Corporation is a documentary sequel to The Corporation that’s not as radical as it thinks it is.

Alex Heeney / September 17, 2020

TIFF Review: Bandar Band is a road trip through the 2019 Iran floods

The 2019 Iran floods are the backdrop of director Manijeh Hekmat’s often lighthearted film, Bandar Band.

Aida stares at the camera in Quo Vadis, Aida?

Orla Smith / September 16, 2020

TIFF Review: Bosnian genocide drama Quo Vadis, Aida? grapples with complicity

Jasmila Žbanic’s Quo Vadis, Aida?, a harrowing drama about the 1995 Bosnian genocide, is one of the best films of TIFF 2020. Find out why…

A woman in a car looks, panicked, behind her shoulder. The car's windscreen is covered in green paint.

Orla Smith / September 15, 2020

TIFF Review: The shallow politics of Michel Franco’s New Order

Michel Franco’s latest provocation, New Order, is a grossly tone deaf bloodbath. Find out why we hated it…

Still from 76 Days for a review of the film.

Brett Pardy / September 15, 2020

TIFF Review: 76 Days provides a new lens on the pandemic

76 Days is an urgent documentary about coronavirus pandemic that humanizes the people behind the PPE.

A still from the film Sweat.

Orla Smith / September 14, 2020

TIFF Review: Sweat is one of the first great films about an influencer

Magnus von Horn’s Sweat avoids the cliche of portraying an Instagram influencer as shallow and instead extends empathy to her and her fans.

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