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Essays

Wendy and Lucy, Lean on Pete, Kelly Reichardt, Andrew Haigh, Modern westerns

Orla Smith / April 8, 2020

Modern westerns: Andrew Haigh and Kelly Reichardt are deromanticizing the west

Andrew Haigh’s Lean on Pete shares DNA with Kelly Reichardt’s westerns (e.g. Wendy and Lucy): both filmmakers are making modern westerns that deromanticize tired western tropes. This is an excerpt from our ebook on Lean on Pete. We will soon publish an ebook on the works of Kelly Reichardt.

Alex Heeney / March 30, 2020

The month of Josh O’Connor: Emma and Hope Gap

Josh O’Connor is the primary reason to see both Emma. and Hope Gap. Alex Heeney looks at what makes his performances so memorable.

Feel Good, Mae Martin

Orla Smith / March 27, 2020

Feel Good is a TV rom-com that skips the honeymoon stage

Mae Martin’s Feel Good is a rom-com about addiction and queer identity that’s more interested in staying together than it is in the honeymoon phase.

Céline Sciamma, Best scenes, Girlhood, Portrait of a Lady on Fire

Seventh Row Editors / March 23, 2020

Ebook preview: Céline Sciamma’s 10 best scenes

From Water Lilies to Portrait of a Lady on Fire, we analyse 10 of Céline Sciamma’s best scenes, revealing what makes her a master. This is an excerpt from our ebook, Portraits of resistance.

Orla Smith / March 12, 2020

Review: Kelly Reichardt’s First Cow and dreamers thwarted by capitalism

Kelly Reichardt’s latest film about the myth of the American West, First Cow, follows two men searching for a better life elsewhere that’s always just slightly out of reach.

Lana Condor, Lars Jean, PS I Still Love You, To All the Boys I've Loved Before

Orla Smith / March 5, 2020

P.S. We still love you, Lara Jean: Lana Condor’s perfect rom-com heroine

Lana Condor is the shining light at the centre of disappointing sequel P.S. I Still Love You. Why is she the perfect rom-com heroine in the To All the Boys series?

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