Writer-director Arsalan Amiri and co-writer Ida Panahandeh discuss their first foray into genre territory, Zalava, which won prizes at the Venice International …
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Establishing Shots
Promising emerging filmmakers discuss their first feature film.
‘We are a nation of stories and poems’: Khadar Ayderus Ahmed on The Gravedigger’s Wife
Writer-director Khadar Ayderus Ahmed discusses making his feature debut, The Gravedigger's Wife, a love story set in Djibouti City. Click here to find all of …
‘The more we went inside Lise’s perspective, the better it got’: Tea Lindeburg on As in Heaven
Director Tea Lindeburg discusses her remarkable film As in Heaven about a day in the life of a teenage girl about to lose everything in 1880s Denmark. The film …
Grace Glowicki on the strange experiments of her directorial debut, Tito
After her Canadian Screen Award nomination for Best First Feature, we spoke with multi-hyphenate Grace Glowicki about Tito, her oddball directorial debut. Tito …
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Charlène Favier on Slalom, her sensitive sexual abuse drama
Charlène Favier discusses her debut feature film, Slalom, which depicts childhood sexual abuse in the world of high level sports, a world Favier knows from …
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Everything in the End: Mylissa Fitzsimmons on making her no-budget feature debut
Mylissa Fitzsimmons tells us how she made her beautiful, apocalyptic debut feature, Everything in the End, in Iceland with four crew members and only …