In this episode of the podcast, we compare writer-director Kris Rey’s two most recent films about women in their 30s: Unexpected and I Used to Go Here

In this episode we compare two political, but not didactic, documentaries, Jesse Moss and Amanda McBaine’s new film Boy’s State and Jean-François Caissy’s 2018 film First Stripes.

Alex Heeney and Orla Smith, the co-editors of our latest ebook, Roads to nowhere: Kelly Reichardt’s broken American Dreams, both guested on The Film Stage Show to discuss Reichardt’s Certain Women and First Cow.

Kelly Reichardt’s newest film First Cow is her second feature, after Wendy and Lucy, to explore the effects of capitalism through character’s relationship with an animal. In this episode, we discuss the connections between the two films (and animals).

Alice Winocur’s Proxima uses the astronaut film to show how mothers in professional setting have to both prove themselves in male-dominated environments and be a caring, supportive mom. This topic is somewhat rare on screen, bringing to mind the 1987 hidden gem Baby Boom.

Many of the best recent Canadian films tell stories about young adults. This episode features YA fiction expert Joe Lipsett as we discuss what counts as YA, what is unique about Canadian YA films, and focus on six great films.

Matthew Warchus’ innovative split-screen version of filmed Old Vic live performance of Lungs reminded us of another relationship two-hander presented in split screen, Hans Canosa’s 2005 film Conversations With Other Women.

Editor-in-Chief Alex Heeney and Executive Editor Orla Smith (plus special guests) discuss the best films so far in one of cinema’s most unusual years.

This episode previews the exciting contents of our new ebook, Roads to nowhere: Kelly Reichardt’s broken American dreams. Associate Editor Brett Pardy interviews Editor-in-Chief Alex Heeney and Executive Editor Orla Smith about the process of creating the book and explore the book section by section.

This episode highlights a session from our Lockdown Film School with writer-directors Mina Shum and Philippe Falardeau. In it, the two discuss their craft, compare notes on process, and discuss how they were inspired by each other.

Anne Émond is one of the most exciting Canadian directors working today and deserves wider international attention. Her films play with time and genre as they explore the connection between the physical and the emotional aspects of her characters.

Josephine Decker’s new film Shirley is the latest in the recent trend of films re-examining the lives of women artists, in the process questioning our ideas of history and truth. Join us for a wild ride exploring the connections between Shirley, Portrait of a Lady on Fire, The Souvenir, Wild Nights With Emily, and many more.