• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Seventh Row

A place to think deeply about movies

  • Archives
    • Browse Articles
    • Review Index
    • Interview Index
  • Podcast
    • Seventh Row Podcast
    • Abortion on Film
    • Creative Nonfiction Podcast
    • Women at Cannes
    • Sundance 2023
    • The Joachim Trier Audio Commentaries
    • 21st Folio
    • Seventh Row on other podcasts
  • Ebooks
    • Mike Leigh
    • Call Me by Your Name
    • Céline Sciamma
    • Kelly Reichardt
    • Joanna Hogg
    • Andrew Haigh
    • Lynne Ramsay
    • Joachim Trier
    • Subjectives realities (Nonfiction film)
    • Documentary Masters
    • Fiction Directors
  • Shop
  • Join Reel Ruminators

All Articles

Alex Heeney / April 28, 2020

Jeff Barnaby on Blood Quantum and colonialist zombies

In our interview with Jeff Barnaby, he discusses his zombie film about colonialism, Blood Quantum, telling Indigenous stories through genre, and working as his own editor and composer

Seventh Row Editors / April 28, 2020

Ep. 39: Jeff Barnaby’s Rhymes for Young Ghouls and Blood Quantum

This episode discusses Jeff Barnaby’s new Indigenous zombie film, Blood Quantum in conversation with his modern classic, Rhymes for Young Ghouls (2013)

Disclosure Trans Lives on Screen, Dungarees, BFI Flare 2020

Orla Smith / April 25, 2020

BFI Flare 2020 highlights: Disclosure and more trans stories

BFI Flare 2020 took place entirely online. Orla Smith highlights Dungarees (dir. Abel Rubinstein) and Disclosure: Trans Lives on Screen (dir. Sam Feder) as the best of the online festival.

Seventh Row Editors / April 22, 2020

Ep. 38: Australian westerns and True History of the Kelly Gang

In this episode, special guest Debbie Zhou joins us to discuss what defines the Australian Western, featuring True History of the Kelly Gang, Sweet Country, and The Dressmaker.

Seventh Row Editors / April 14, 2020

Ep. 37: Meek’s Cutoff and subverting the western

Kelly Reichardt has directed two films set in the 19th century American West, Meek’s Cutoff (2010) and First Cow (2019). To explore how she differs from the traditional Western genre, we compare her films with Oregon-set Bend of the River (1952) and cow film Red River (1948).

Celine Sciamma, best film, critics survey

Seventh Row Editors / April 8, 2020

What is Céline Sciamma’s best film? A critics survey

In our latest survey, a group of critics pick the best Céline Sciamma film (in their opinion), from Portrait of a Lady on Fire to Water Lilies.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 109
  • Page 110
  • Page 111
  • Page 112
  • Page 113
  • Interim pages omitted …
  • Page 244
  • Go to Next Page »

Footer

Support Seventh Row

  • Film Adventurer Membership
  • Cinephile Membership
  • Ebooks
  • Donate
  • Merchandise
  • Institutional Subscriptions
  • Workshops & Masterclasses
  • Shop

Connect with Us

  • Podcast
  • Twitter
  • Instagram
  • YouTube

Browse

  • Interview Index by Job Title
  • Interview Index by Last Name
  • Seventh Row Podcast
  • Directors We Love
  • Films We Love

Join our newsletter

  • Join our free newsletter
  • Get the premium newsletter (become a member)

Featured Ebooks on Directors

  • Joachim Trier
  • Joanna Hogg
  • Céline Sciamma
  • Kelly Reichardt
  • Lynne Ramsay
  • Mike Leigh
  • Andrew Haigh

© 2025 · Seventh Row

  • About
  • Privacy Policy
  • Frequently Asked Questions
  • Contribute
  • Contact
  • My Account