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Alex Heeney / September 11, 2021

Oscar Peterson: Black + White does a disservice to its subject

Barry Avrich’s documentary Oscar Peterson: Black + White barely scratches the surface of the great jazz pianist’s life, music, and legacy.

A still from Scarborough in which three young kids lie down on a colourful floor, gazing happily at the ceiling. The text on the image reads 'TIFF Review'.

Orla Smith / September 10, 2021

TIFF Review: Scarborough is one of the festival’s most stirring crowdpleasers

Scarborough, from directors Rich Williamson and Shasha Nakhai, is a big-hearted portrait of families in a low-income neighbourhood.

A still from Aloners, in which a young woman sits at a table, her head downturned, her face passive. The text on the image reads 'TIFF Review'.

Orla Smith / September 10, 2021

TIFF Review: Aloners is a melancholy ode to society’s loners

South Korean filmmaker Hong Seong-eun’s Aloners is a low-key film about loneliness and how capitalism takes advantage of depressed people.

Alex Heeney / September 9, 2021

TIFF Review: Neus Ballús’s The Odd-Job Men is a delightful comedy

Neus Ballús’s The Odd-Job Men is a quiet, lovely little film that charts a week in the life of three “odd-job men” on the outskirts of Barcelona.

A collage of stills of the best emerging actors at TIFF 2021.

Seventh Row Editors / September 9, 2021

Eleven emerging actors to watch at TIFF 2021

Seventh Row’s editors pick the emerging actors to watch at TIFF 2021, in films from Benediction to The Worst Person in the World.

A headshot of actress Devery Jacobs from Reservation Dogs, with her latest name, 'Jacobs', written several times behind her head.

Alex Heeney / September 8, 2021

Devery Jacobs: ‘I had never seen it be done until I started doing it’

Actress-director-writer-producer Devery Jacobs discusses her career-long love of storytelling, from Rhymes for Young Ghouls to Reservation Dogs.

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