Writer-director Rose Glass discusses her first feature, Saint Maud, making a thrilling and funny horror film, and getting comfortable working with actors.
The best acquisition titles at TIFF19
Here you'll find links to our reviews of must-see acquisition titles seeking distribution in at least one of the US, the UK, or Canada. Catch these films while you can, and help us spread the word that distributors should take notice.
In alphabetical order:
The Body Remembers When the World Broke Open
‘Violence can be very subtle’: Director Hinde Boujemaa and actress Hend Sabri on Noura’s Dream
Director Hinde Boujemaa and actress Hind Sabri discuss their collaboration on Noura’s Dream, which makes visible the invisible violence women face.
TIFF interview: Kuessipan filmmakers on their Innu coming-of-age story
Kuessipan is one of the best acquisition titles at TIFF19. Director Myriam Verreault and co-writer Noami Fontaine talk telling the story of two Indigenous teens coming-of-age.
TIFF19 review: Abba Makama’s The Lost Okoroshi explores modern African identity.
Abba Makama’s The Lost Okoroshi weaves a compelling narrative around what could be a tired trope
TIFF19 review: In Made In Bangladesh , the women who make your clothes call for justice
Neither hopeless nor sugar-coated, Rubaiyat Hossain’s Made in Bangladesh is a compelling drama about the difficulties of attaining justice.
TIFF19 review: Our Lady of the Nile , a heartbreaking look at the corruption of innocence
An innocent utopia foreshadows horrific violence in Atiq Rahimi’s Our Lady of the Nile, one of the best acquisition titles at TIFF19.