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Best of The Seventh Row

Sherpa, Jennifer Peedom, Everest doc Sherpa

Alex Heeney / October 10, 2015

TIFF15: Jennifer Peedom discusses her Everest doc Sherpa

Jennifer Peedom discusses the making of her terrific Everest doc, Sherpa, the first documentary to be told from the Sherpa’s perspective.

Martian

Alex Heeney / October 3, 2015

The Martian engineers the shit out of surviving on Mars

The Martian would be a great engineering recruitment film — if it ever mentioned the word “engineering.” When Mark Watney (Matt Damon) is faced with the challenges of surviving alone on Mars for four years, including growing his own own food and figuring out a way to communicate with Earth, he concludes he’ll have to “science […]

Willow Maclay / October 1, 2015

88:88 is a formal and ideological marvel **** 1/2

88:88, an emphatic statement on poverty, debuts an exciting, radical new voice in cinema: Winnipeg-based Isiah Medina. The numbers ‘88:88’ flash across alarm clocks when electricity goes out: The accurate time is replaced by these place holders and time essentially stands still. The central philosophical meaning of 88:88 in the film is one of stasis, and how that stasis caused by poverty subjects people to a minimized life.

Kire Paputts

Alex Heeney / September 9, 2015

TIFF15 Interview: Canadian director Kire Paputts talks The Rainbow Kid and disability in film

With his first feature, The Rainbow Kid, Canadian filmmaker Kire Paputts has made a landmark film. The film stars a character with Down Syndrome, Eugene (Dylan Harman), a naive boy whose mother can’t pay the rent. In an effort to prevent their eviction, he sets out on a journey to find the pot of gold at […]

Alex Heeney / September 4, 2015

What do we mean when we talk about Canadian cinema?

Where is Canadian cinema going? What is its purpose? And what can we say about how the country is being reflected back at us through this year’s TIFF15 crop of Canadian films?

Pericles

Mary Angela Rowe / August 29, 2015

Pericles, Prince and Tiresome at Stratford

Shakespeare’s Pericles, Prince of Tyre (rebranded by the Stratford Festival as The Adventures of Pericles) is less a play and more a series of scenes strung together. It opens with incest and runs through murder, resurrection, and the threat of sexual slavery before a visitation from the goddess Diana. Remarkably, director Scott Wentworth manages to impose unity on this unruly text by highlighting the theme of feminine virtue that runs through the play.

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