In Cannes, director Jaime Rosales discusses playing with the viewer's emotions and expectations, balancing a nonchalant acting style with a contrasted dramatic …
Cannes Film Festival
Interview: Chloé Zhao on The Rider, her feminist film about masculinity
Chloé Zhao discusses The Rider and making a feminist film on masculinity. Brady Jandreau as Brady Blackburn in Chloé Zhao's The Rider, courtesy of …
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Interview: Atsuko Hirayanagi on her female midlife crisis comedy Oh Lucy!
Atsuko Hirayanagi discusses her debut feature Oh Lucy!, a rare film that centres a complex middle-aged woman as the lead. …
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Director Rungano Nyoni on her Zambia-set debut I Am Not a Witch
Zambia-born, Cardiff-raised director Rungano Nyoni discusses her first feature I Am Not a Witch — which tackles patriarchal constraints on women in Zambia …
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Review: Grace and violence mingle in The Beguiled
In Sofia Coppola's The Beguiled, violence erupts in Miss Martha's seminary, poorly-defended citadel of virtue, but the women never lose their poise. …
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Elena Lazic’s Cannes 2017 Diary: tweets and more
My Cannes 2017 diary: Twitter reactions, reviews, and interviews about the films I saw in Cannes, covering the festival for @SeventhRow. I did not tweet about …
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