On Chesil Beach DP Sean Bobbitt discusses collaboration, composition, and his strong opinions on the anonymity of coverage. Read the rest of our On Chesil Beach …
[Read more...] about Sean Bobbitt: ‘You have that big screen. You must use it.’
A place to think deeply about movies
On Chesil Beach DP Sean Bobbitt discusses collaboration, composition, and his strong opinions on the anonymity of coverage. Read the rest of our On Chesil Beach …
[Read more...] about Sean Bobbitt: ‘You have that big screen. You must use it.’
In Fruitvale Station, Cake, Dope, and Mudbound, Rachel Morrison's cinematography immerses viewers in marginalized characters' points of view. …
[Read more...] about Rachel Morrison’s deeply empathetic cinematography
DP Magnus Jønck approached Lean on Pete as a modern western, keeping the focus solely on character and de-romanticising the landscape. This is the second …
[Read more...] about Behind the Lens: Lean on Pete DP Magnus Jønck
Indigenous Australian director Warwick Thornton talks being his own cinematographer on Sweet Country, shooting on Alexa and UV, and developing the …
[Read more...] about Director Warwick Thornton on his TIFF Platform Prize Winner Sweet Country
Cinematographer Tom Townend discusses working closely with Lynne Ramsay, adapting to on-set changes, and how the job goes beyond just camera and lights. This is …
[Read more...] about Behind the Lens: DP Tom Townend on YWNRH
Great cinematography holds meaning beyond its aesthetic value. We pick our favourite cinematography of the year, including Thelma, Beach Rats, and A Quiet …
[Read more...] about More than pretty pictures: The best cinematography of 2017