• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Seventh Row

A place to think deeply about movies

  • Archives
    • Browse Articles
    • Review Index
    • Interview Index
  • Podcast
    • Seventh Row Podcast
    • Abortion on Film
    • Creative Nonfiction Podcast
    • Women at Cannes
    • Sundance 2023
    • The Joachim Trier Audio Commentaries
    • 21st Folio
    • Seventh Row on other podcasts
  • Ebooks
    • Mike Leigh
    • Call Me by Your Name
    • Céline Sciamma
    • Kelly Reichardt
    • Joanna Hogg
    • Andrew Haigh
    • Lynne Ramsay
    • Joachim Trier
    • Subjectives realities (Nonfiction film)
    • Documentary Masters
    • Fiction Directors
  • The Long Take
  • The Long Arc: Looking Season 1
  • The Deep Focus
    • The Deep Focus: Oslo, August 31st
    • The Deep Focus: Lean on Pete
    • Indecisions and revisions: The Worst Person in the World
  • The Deep Focus: The Worst Person in the World

LGBTQ

Alex Heeney / April 14, 2021

‘It was always about making you feel unsafe’: Oliver Hermanus on Moffie

South African auteur Oliver Hermanus on his 1981-set film, Moffie, about how the army indoctrinated conscripted boys with white supremacy and homophobia.

A collage of stills from BFI Flare 2021 film, along with the logo of the festival.

Orla Smith / March 27, 2021

Highlights from BFI Flare 2021, from No Ordinary Man to Boy Meets Boy

Orla Smith runs down the best films of BFI Flare 2021 and the themes that they kept coming back to.

Two young men stand together in the summer sun, looking into the camera. The text on the image reads, 'Review'.

Orla Smith / March 18, 2021

BFI Flare Review: Boy Meets Boy is like Weekend for a younger generation

In Daniel Sánchez López’s Boy Meets Boy, two gay men at a crossroads spend a summer day in Berlin together.

A still from makeup next to a headshot of director Claire Oakley. The text on the image says, 'Interview'.

Orla Smith / January 24, 2021

Claire Oakley on her genre bending coming-of-ager Make Up

First time filmmaker Claire Oakley discusses the dream that inspired her stylised, genre bending coming-of-age film, Make Up.

A teen girl and teen boy lie together on the floor, staring at the ceiling. The image is accompanied by the text, 'Review'.

Alex Heeney / November 19, 2020

Dating Amber: A charming Irish dramedy about queer teen friendship

In Dating Amber, queer teens Eddie (Fionn O’Shea) and Amber (Lola Petticrew) act as each others’ beards in 1995 Kildare, Ireland.

Alex Heeney / November 6, 2020

‘Camp works best when it’s played straight’: Bruce LaBruce on Saint-Narcisse

After premiering at the Venice Film Festival, Bruce LaBruce’s Saint-Narcisse screened across Canada at Montreal’s Festival du Nouveau Cinema. LaBruce talked to us about updating the Narcissus myth, tackling taboos, twincest, and taking inspiration from 1970s Quebec cinema. What if Narcissus looked into the pond and his reflection walked out of it so that they […]

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 8
  • Page 9
  • Page 10
  • Page 11
  • Page 12
  • Interim pages omitted …
  • Page 27
  • Go to Next Page »

Footer

Support Seventh Row

  • Ebooks
  • Donate
  • Merchandise
  • Institutional Subscriptions

Connect with Us

  • Podcast
  • Twitter
  • Instagram
  • YouTube

Browse

  • Interview Index by Job Title
  • Interview Index by Last Name
  • Seventh Row Podcast
  • Directors We Love
  • Films We Love

Join our newsletter

  • Join our free newsletter
  • Get the premium newsletter (become a member)

Featured Ebooks on Directors

  • Joachim Trier
  • Joanna Hogg
  • Céline Sciamma
  • Kelly Reichardt
  • Lynne Ramsay
  • Mike Leigh
  • Andrew Haigh

© 2026 · Seventh Row

  • About
  • Privacy Policy
  • Frequently Asked Questions
  • Contribute
  • Contact
  • My Account