After Love, the follow-up to The White Knights from director Joachim Lafosse, is a tense and heartbreaking post-marital drama about a couple with twins who have decided to break up, but haven’t quite managed to sever all their ties, starting with their home.
Toronto International Film Festival
Poetry and identity in NFB animated feature Window Horses
In Window Horses, writer-director Ann Marie Fleming gets very specific about the alienation her poet Rosie has experienced as a Chinese-Iranian Canadian, and in turn, finds something more universal about displacement and the diaspora.
TIFF16: Miss Impossible is a crowd-pleasing coming-of-ager
Miss Impossible (Jamais Contente) is like if We Are The Best! were just about the spunky, outspoken Klara and she joined a band in which she was the only girl.
TIFF16: Sieranevada traps you at a family gathering for 3 hours
With a running time of almost three hours, Cristi Puiu’s Sieranevada unfolds almost entirely in real time as Lary endures a final ceremony for his recently deceased father at his mother’s apartment.
A landmark year for female directors at the Toronto International Film Festival
Over 60 feature films by female directors will screen at this year’s Toronto International Film Festival (TIFF), most of which are acquisition titles still seeking North American distribution.
TIFF16: Bronwen Hughes talks Journey is the Destination
Before the world premiere of her new film Journey is the Destination, Canadian filmmaker Bronwen Hughes talked to the Seventh Row about why the film is a passion project, how she mimicked Dan Eldon’s journals in the film’s visual style, and Ben Schnetzer.