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Toronto International Film Festival

Alex Heeney / September 28, 2016

TIFF16: Writer-director-star Alice Lowe discusses Prevenge

Alice Lowe discusses the making of Prevenge, her wickedly funny directorial debut, from conception through to completion. Shot when she was seven months pregnant, the film is a revenge movie in which a foul-mouthed fetus sends its mother, Ruth (Alice Lowe), on a killing spree.

Jeffrey, TIFF Dropbox Award

Elena Lazic / September 27, 2016

Yanillys Perez’ TIFF16 Dropbox Award Winner Jeffrey

Yanillys Perez’ feature debut, which won the TIFF 16 Dropbox Award for the Discovery Section, is a work of creative nonfiction. Perez mixes magic realist voiceover with a social realist approach to its optimistic, clear-eyed, and poetic subject: Jeffrey, a charming and driven 12-year-old boy who dreams of becoming a famous reggaeton & dembow singer.

Ciel Flamand, Peter Monsaert

Laura Anne Harris / September 20, 2016

TIFF16 Interview: Director Peter Monsaert and his stars talk Le Ciel Flamand

In Conversation with Director Peter Monsaert, and actors Sara Vertongen and Wim Willaert from Le Ciel Flamand.

City of Tiny Lights, Riz Ahmed

Alex Heeney / September 15, 2016

TIFF16 Review: Riz Ahmed stars in City of Tiny Lights

City of Tiny Lights, a modern noir story set in London, is a great showcase for Riz Ahmed’s talents. However, its ambition of addressing the immigrant experience and islamophobia prove more admirable than the execution.

Daguerrotype, Kiyoshi Kurosawa

Mary Angela Rowe / September 15, 2016

TIFF16 Review: Killed into art? Kiyoshi Kurosawa’s Daguerrotype

Kioyshi Kurosawa’s latest eerie offering, Daguerrotype, is a well-crafted aesthetic effort with little actual resonance screening in the TIFF Platform competition.

I Am Not Madame Bovary, Fan Bingbing

Mary Angela Rowe / September 11, 2016

TIFF 16 Review: I Am Not Madame Bovary

Feng Xiaogang experiments with new aspect ratios in I Am Not Madame Bovary, his caustically funny satire of Chinese bureaucracy. Starring Fan Bingbing, the film feels more like a fable than a realistic tale.

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