Cinematographer Ula Pontikos and production designer Sarah Finlay reflect on the making of Weekend, ten years down the line.
Ahed’s Knee review: A filmmaker fights personal and political battles
Nadav Lapid’s Ahed’s Knee, which just screened at TIFF, chronicles a filmmaker’s rage against both government censorship and the impending death of his mother.
‘We are a nation of stories and poems’: Khadar Ayderus Ahmed on The Gravedigger’s Wife
Writer-director Khadar Ayderus Ahmed discusses making his feature debut, The Gravedigger’s Wife, a love story set in Djibouti City.
Ali & Ava review: Clio Barnard crafts a lovely Bradford-set romance
Clio Barnard’s Ali & Ava stars Adeel Akhtar and Claire Rushbrook as two kindhearted people with complicated pasts falling in love.
TIFF Review: Huda’s Salon is a gripping thriller set in Occupied Palestine
Hany Abu-Assad directs Huda’s Salon, a thriller that posits: “It’s easier to occupy a society that is already repressing itself.”
The Hill Where Lionesses Roar is a smart, heartfelt debut from Luàna Bajrami
Portrait of a Lady on Fire actress Luàna Bajrami makes a wonderful directorial debut with The Hill Where Lionesses Roar, a coming-of-age tale set in Kosovo.