In our second Lockdown Film School, Ashley Connor and Catherine Lutes give a masterclass on cinematography.
Ep. 40: Stories We Tell, Louder Than Bombs, & Mouthpiece: Dead mothers
This episode is on Stories We Tell, Louder Than Bombs, and Mouthpiece, formally expressive explorations of grief, memory, and subjectivity.
Nonfiction filmmaking masterclass with Penny Lane and Carol Nguyen
In this masterclass on nonfiction filmmaking, directors Penny Lane (Nuts, Hail Satan) and Carol Nguyen (No Crying at the Dinner Table) discuss their experiences. A conversation between creative nonfiction filmmakers Penny Lane (Hail Satan?, Nuts!, The Pain of Others) and Carol Nguyen (SXSW award winner No Crying at the Dinner Table). Who is Penny Lane? Penny Lane is a […]
Ep. 39: Jeff Barnaby’s Rhymes for Young Ghouls and Blood Quantum
This episode discusses Jeff Barnaby’s new Indigenous zombie film, Blood Quantum in conversation with his modern classic, Rhymes for Young Ghouls (2013)
Ep. 38: Australian westerns and True History of the Kelly Gang
In this episode, special guest Debbie Zhou joins us to discuss what defines the Australian Western, featuring True History of the Kelly Gang, Sweet Country, and The Dressmaker.
Ep. 37: Meek’s Cutoff and subverting the western
Kelly Reichardt has directed two films set in the 19th century American West, Meek’s Cutoff (2010) and First Cow (2019). To explore how she differs from the traditional Western genre, we compare her films with Oregon-set Bend of the River (1952) and cow film Red River (1948).