Debra Granik's films — Down to the Bone, Stray Dog, and Leave No Trace — focus on individuals who struggle to navigate an unfriendly social support system in an …
[Read more...] about Debra Granik frames poverty as a systemic failure to empathize
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Explore films by directors who identify as women.
Debra Granik's films — Down to the Bone, Stray Dog, and Leave No Trace — focus on individuals who struggle to navigate an unfriendly social support system in an …
[Read more...] about Debra Granik frames poverty as a systemic failure to empathize
In this essay, Gillie Collins explores how Leave No Trace uses the unusual story of a father and daughter living in the woods to tell the classic coming of age …
[Read more...] about Growing up and growing apart: Coming of age in Leave No Trace
In The Tale, the semi-autobiographical narrative debut from Jennifer Fox, the character Jennifer’s process of sifting through and revisiting past memories is …
[Read more...] about The Tale: Comfortable stories mask uncomfortable truths
Lynne Ramsay’s features centre on characters dealing with trauma by losing themselves in sensations, not language. This is an excerpt from our …
[Read more...] about Ramsay’s characters escape trauma through sensations
You Were Never Really Here traps us inside hitman Joe’s mind — but he’s an unreliable narrator who is far more helpless than he realises. This is the sixth …
The premise of The Party — seven characters trapped in a house, for 71 minutes, as secrets are revealed and lives potentially irreparably changed — sounds like …
[Read more...] about Sally Potter’s The Party is a dynamic, witty ensemble film