Naoko Ogigami’s Close-Knit is a charming, if disappointingly conservative, family drama about a girl who finds herself being raised by a transgender woman.
Directed by Women
Explore films by directors who identify as women.
Julia Ducournau’s Raw is a new kind of female body horror
Mary Angela Rowe’s review of Raw. Cannibalism is definitely a lady problem in Julia Ducournau’s Raw, but the film isn’t about the horror of female sexuality so much as the twisted results of shoving young women into a pressure cooker of experiences and expectations.
Protecting the land: Rancher, Farmer, Fisherman and RISE
Two documentaries screening in Sundance’s New Climate program — Rancher, Farmer, Fisherman and RISE — shed light on projects to protect land in the U.S. and the lasting effects of colonialism.
Ava DuVernay’s 13th is an innovative spin on the talking head doc
Employing key but subtle twists on the convention talking head documentary, Ava DuVernay’s 13th explains how slavery in the U.S. was never really abolished without ever resorting to preaching.
Best of TIFF16: Fien Troch’s Home
In Home, teachers and authority figures don’t skip a beat before upbraiding the teenagers in their charge, but writer-director Fien Troch asks us to empathize first and judge second.
Yanillys Perez’ TIFF16 Dropbox Award Winner Jeffrey
Yanillys Perez’ feature debut, which won the TIFF 16 Dropbox Award for the Discovery Section, is a work of creative nonfiction. Perez mixes magic realist voiceover with a social realist approach to its optimistic, clear-eyed, and poetic subject: Jeffrey, a charming and driven 12-year-old boy who dreams of becoming a famous reggaeton & dembow singer.