• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Seventh Row

A place to think deeply about movies

  • Archives
    • Browse Articles
    • Review Index
    • Interview Index
  • Podcast
    • Seventh Row Podcast
    • Abortion on Film
    • Creative Nonfiction Podcast
    • Women at Cannes
    • Sundance 2023
    • The Joachim Trier Audio Commentaries
    • 21st Folio
    • Seventh Row on other podcasts
  • Ebooks
    • Mike Leigh
    • Call Me by Your Name
    • Céline Sciamma
    • Kelly Reichardt
    • Joanna Hogg
    • Andrew Haigh
    • Lynne Ramsay
    • Joachim Trier
    • Subjectives realities (Nonfiction film)
    • Documentary Masters
    • Fiction Directors
  • The Long Take
  • The Long Arc: Looking Season 1
  • The Deep Focus
    • The Deep Focus: The Worst Person in the World
    • The Deep Focus: Lean on Pete
    • Indecisions and revisions: The Worst Person in the World
  • The Deep Focus: Oslo, August 31st

Film Festivals

Alex Heeney / November 19, 2020

Are boys OK? Un vrai bonhomme and Mes jours de gloire at Cinemania

Un vrai bonhomme (Man Up!) and Mes jours de gloire are both coming-of-age stories about boys who are ill-equipped to cope with their mental health issues.

A still from Quebexit next to a headshot of director Joshua Demers. The image is accompanied by text that reads: 'Interview'.

Alex Heeney / November 18, 2020

Joshua Demers on his Canadian political satire, Québexit

Québexit director and co-writer Joshua Demers on shooting a film in three languages with 20 actors in 12 days, and what the film reveals about Canada.

The text 'Indie Memphis 2020' accompanied by images from the four films that will be discussed in this article.

Orla Smith / November 10, 2020

Indie Memphis 2020: From Cane Fire to Smooth Talk

Indie Memphis Film Festival 2020 showcased genre films (I Blame Society, Freeland), documentaries (Cane Fire), and restorations (Smooth Talk).

Alex Heeney / November 9, 2020

The 2020 Festival du Nouveau Cinema showcases the old and the new of world cinema

The 2020 Festival du Nouveau Cinema showcased classics, like Les Ordres, and the latest in world cinema, from Undine to Caught in the Net.

A still of Eva Green in a space suit in Proxima next to a headshot of director Alice Winocour. The text on the image reads, 'Interview'.

Orla Smith / November 9, 2020

‘Astronauts are so fragile’: Alice Winocour on Proxima

Proxima is one of the best acquisition titles at TIFF19. Director Alice Winocour discusses drawing a connection between motherhood and space exploration.

Alex Heeney / November 6, 2020

‘Camp works best when it’s played straight’: Bruce LaBruce on Saint-Narcisse

After premiering at the Venice Film Festival, Bruce LaBruce’s Saint-Narcisse screened across Canada at Montreal’s Festival du Nouveau Cinema. LaBruce talked to us about updating the Narcissus myth, tackling taboos, twincest, and taking inspiration from 1970s Quebec cinema. What if Narcissus looked into the pond and his reflection walked out of it so that they […]

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 30
  • Page 31
  • Page 32
  • Page 33
  • Page 34
  • Interim pages omitted …
  • Page 93
  • Go to Next Page »

Footer

Support Seventh Row

  • Ebooks
  • Donate
  • Merchandise
  • Institutional Subscriptions

Connect with Us

  • Podcast
  • Twitter
  • Instagram
  • YouTube

Browse

  • Interview Index by Job Title
  • Interview Index by Last Name
  • Seventh Row Podcast
  • Directors We Love
  • Films We Love

Join our newsletter

  • Join our free newsletter
  • Get the premium newsletter (become a member)

Featured Ebooks on Directors

  • Joachim Trier
  • Joanna Hogg
  • Céline Sciamma
  • Kelly Reichardt
  • Lynne Ramsay
  • Mike Leigh
  • Andrew Haigh

© 2026 · Seventh Row

  • About
  • Privacy Policy
  • Frequently Asked Questions
  • Contribute
  • Contact
  • My Account