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Film Festivals

Fien Troch, Home, AFI Fest 2016, Must-See AFI

Alex Heeney / October 5, 2016

Best of TIFF16: Fien Troch’s Home

In Home, teachers and authority figures don’t skip a beat before upbraiding the teenagers in their charge, but writer-director Fien Troch asks us to empathize first and judge second.

Una, Benedict Andrews

Alex Heeney / October 4, 2016

Benedict Andrews talks Una and directing for theatre vs film: part 2

This is the second part of our two-part interview with Benedict Andrews on his feature debut Una and the differences between directing for film and theatre. Read part one here.

Una, Blackbird

Alex Heeney / October 3, 2016

Benedict Andrews talks Una and directing for the stage vs. screen part 1

Australian theatre director Benedict Andrews, who directed Blackbird in Berlin back in 2005, discusses the challenges of adapting the play for the screen in Una, as well as the differences between directing for stage and screen. Go to part 2 of the interview.

rehearsal film, alison maclean

Alex Heeney / October 1, 2016

Writer-director Alison Maclean raises the curtain on The Rehearsal

Alison Maclean discusses the making of her film The Rehearsal, from adapting Eleanor Catton’s novel, to finding her cast, to rehearsing the film.

Beauties of the Night, Maria Jose Cuevas, Olga Breeskin

Laura Anne Harris / October 1, 2016

TIFF16 Interview: Maria Jose Cuevas and Olga Breeskin talk Beauties of the Night

Maria Jose Cuevas’ Beauties of the Night catches up with the most famous Mexican showgirls of the 1960s–1980s today in this collaborative documentary. At TIFF, Laura Anne Harris talked to Cuevas and her most famous subject, Olga Breeskin, about making the film and Breeskin’s fascinating life story.

TIFF16 film Marija, Michael Koch

Laura Anne Harris / September 29, 2016

A closer look at TIFF16 film Marija with director Michael Koch

First-time writer-director Michael Koch discusses his TIFF16 film Marija, an unconventional story of female empowerment about an immigrant woman in search of her independence above all else. We also named Margarita Breitrkeiz’s performance one of the best of the year.

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