In this interview, Indigenous writer-director-cinematographer Warwick Thornton discusses The New Boy, his Days of Heaven about an Indigenous boy in 1940s Australia.
Behind the Lens
The most exciting cinematographers — both emerging and established — talk about their process.
Cinematographer Stéphanie Anne Weber Biron’s colourful visual worlds
Stéphanie Anne Weber Biron was recently nominated for a Canadian Screen Award for Nadia, Butterfly. We speak to her about shooting that film and Andrea Dorfman’s Spinster.
Cinematographer Joshua James Richards on Nomadland and the ‘magic hour hustle’
British cinematographer Joshua James Richards discusses his ongoing collaboration with Chloé Zhao, and how they captured the American landscape in Nomadland.
‘I feel lucky shooting these films’: Chris Blauvelt on shooting for Kelly Reichardt – an ebook preview
Cinematographer Christopher Blauvelt discusses his close collaboration with Kelly Reichardt on all her films since Meek’s Cutoff.
Sophie Deraspe on her modern adaptation of Antigone
Québécois writer-director-cinematographer Sophie Deraspe on why she wanted to tackle and update Antigone and wearing many hats on a film set.
Cinematographer David Raedeker on The Souvenir
In this interview excerpt from the ebook Tour of Memories: The Creative Process Behind Joanna Hogg’s The Souvenir, cinematographer David Raedeker discusses developing the film’s aesthetic, staying light on his toes, and using multiple film stocks.