DP Magnus Jønck approached Lean on Pete as a modern western, keeping the focus solely on character and de-romanticising the landscape. This is the second …
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Behind the Lens
The most exciting cinematographers — both emerging and established — talk about their process.
Director Warwick Thornton on his TIFF Platform Prize Winner Sweet Country
Indigenous Australian director Warwick Thornton talks being his own cinematographer on Sweet Country, shooting on Alexa and UV, and developing the …
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Behind the Lens: DP Tom Townend on YWNRH
Cinematographer Tom Townend discusses working closely with Lynne Ramsay, adapting to on-set changes, and how the job goes beyond just camera and lights. This is …
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Cinematographer Jakob Ihre on Thelma: ‘Even in fantastical moments, the light is still naturalistic’
Cinematographer Jakob Ihre discusses adapting to shooting on itital, lighting different characters for a thematic purpose, and how production design affects his …
Behind the Lens: Introducing God’s Own Country cinematographer Joshua James Richards
Cinematographer Joshua James Richards talks adapting to a director’s vision and creating a sense of place in God’s Own Country and The Rider. This is an excerpt …
Interview: Cinematographer Jakob Ihre talks Louder Than Bombs
In this interview, cinematographer Jakob Ihre discusses Louder Than Bombs, collaborating with Joachim Trier, his aesthetic influences from Tarkovsky to …
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