Director Tea Lindeburg discusses her remarkable film As in Heaven about a day in the life of a teenage girl about to lose everything in 1880s Denmark. The film …
In Her Chair
Female-identifying directors reflect on their experiences making films and leading creative teams.
Devery Jacobs: ‘I had never seen it be done until I started doing it’
Actress-director-writer-producer Devery Jacobs discusses her career-long love of storytelling, from Rhymes for Young Ghouls to Reservation Dogs. In Jeff …
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Kímmapiiyipitssini: The Meaning of Empathy: Elle-Máijá Tailfeathers on her vital new documentary
Kímmapiiyipitssini: The Meaning of Empathy chronicles the opioid crisis facing the people of the Kainai First Nation and how "harm reduction" practices can save …
Grace Glowicki on the strange experiments of her directorial debut, Tito
After her Canadian Screen Award nomination for Best First Feature, we spoke with multi-hyphenate Grace Glowicki about Tito, her oddball directorial …
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Charlène Favier on Slalom, her sensitive sexual abuse drama
Charlène Favier discusses her debut feature film, Slalom, which depicts childhood sexual abuse in the world of high level sports, a world Favier knows from …
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Everything in the End: Mylissa Fitzsimmons on making her no-budget feature debut
Mylissa Fitzsimmons tells us how she made her beautiful, apocalyptic debut feature, Everything in the End, in Iceland with four crew members and only …