After her Canadian Screen Award nomination for Best First Feature, we spoke with multi-hyphenate Grace Glowicki about Tito, her oddball directorial debut.
In Her Chair
Female-identifying directors reflect on their experiences making films and leading creative teams.
Charlène Favier on Slalom, her sensitive sexual abuse drama
Charlène Favier discusses her debut feature film, Slalom, which depicts childhood sexual abuse in the world of high level sports, a world Favier knows from personal experience.
Everything in the End: Mylissa Fitzsimmons on making her no-budget feature debut
Mylissa Fitzsimmons tells us how she made her beautiful, apocalyptic debut feature, Everything in the End, in Iceland with four crew members and only $30,000.
‘A film about nothings that overwhelm you’: Kateryna Gornostai on Stop-Zemlia
Kateryna Gornostai discusses making an ensemble coming-of-age film where everything for the characters is happening for the first time.
‘As a filmmaker, I try to create space for catharsis’: Eliane Raheb on Miguel’s War
Eliane Raheb discusses Miguel’s War and using creative documentary techniques to explore her subject’s life and trauma.
‘In the Innu language, every word is an image’: Kim O’Bomsawin on Call Me Human
Abenaki filmmaker Kim O’Bomsawin discusses her documentary Call Me Human (Je m’appelle humain) and telling the story of Joséphine Bacon and her friends.