Actress-director-writer-producer Devery Jacobs discusses her career-long love of storytelling, from Rhymes for Young Ghouls to Reservation Dogs.
In Her Chair
Female-identifying directors reflect on their experiences making films and leading creative teams.
Kímmapiiyipitssini: The Meaning of Empathy: Elle-Máijá Tailfeathers on her vital new documentary
Kímmapiiyipitssini: The Meaning of Empathy chronicles the opioid crisis facing the people of the Kainai First Nation and how “harm reduction” practices can save them.
Grace Glowicki on the strange experiments of her directorial debut, Tito
After her Canadian Screen Award nomination for Best First Feature, we spoke with multi-hyphenate Grace Glowicki about Tito, her oddball directorial debut.
Charlène Favier on Slalom, her sensitive sexual abuse drama
Charlène Favier discusses her debut feature film, Slalom, which depicts childhood sexual abuse in the world of high level sports, a world Favier knows from personal experience.
Everything in the End: Mylissa Fitzsimmons on making her no-budget feature debut
Mylissa Fitzsimmons tells us how she made her beautiful, apocalyptic debut feature, Everything in the End, in Iceland with four crew members and only $30,000.
‘A film about nothings that overwhelm you’: Kateryna Gornostai on Stop-Zemlia
Kateryna Gornostai discusses making an ensemble coming-of-age film where everything for the characters is happening for the first time.