Eliane Raheb discusses Miguel’s War and using creative documentary techniques to explore her subject’s life and trauma.
In Her Chair
Female-identifying directors reflect on their experiences making films and leading creative teams.
‘In the Innu language, every word is an image’: Kim O’Bomsawin on Call Me Human
Abenaki filmmaker Kim O’Bomsawin discusses her documentary Call Me Human (Je m’appelle humain) and telling the story of Joséphine Bacon and her friends.
‘I’m sick of poetic sex scenes’: Yngvild Sve Flikke and Kristine Thorp on Ninjababy
Writer-director Yngvild Sve Flikke and actress Kristine Thorp discuss their subversive pregnancy comedy, Ninjababy, one of the best of the Berlinale.
The Dog Who Wouldn’t Be Quiet: Ana Katz on the best film of Sundance
Ana Katz’s The Dog Who Wouldn’t Be Quiet was our favourite film of Sundance and won awards at IFFR. We spoke with Katz about collaborating with her brother over a three year shoot.
‘The idea for the sound design was accepting silence’: Iuli Gerbase on The Pink Cloud
Brazilian filmmaker Iuli Gerbase discusses her feature debut, The Pink Cloud, about a couple unable to leave their homes for years but shot before the pandemic.
Gillian Wallace Horvat on turning herself into a serial killer in I Blame Society
In the mockumentary I Blame Society, writer-director Gillian Wallace Horvat plays a murderous version of herself who makes a film about being a serial killer.