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Canadian cinema

Brett Pardy / September 29, 2018

Interview: Edge of the Knife tells a pre-colonialism story of the Haida legend of ‘The Wildman’

Co-director and Haida artist Gwaai Edenshaw discusses his landmark film Edge of the Knife (Sgaawaay K’uuna), the first feature film made in the Haida language. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.

Burtynsky, Jennifer Baichwal, Anthropocene

Alex Heeney / September 27, 2018

Interview: Anthropocene is an awe-inspiring look at environmental destruction

Co-directors Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier discuss their third film collaboration, Anthropocene: The Human Epoch. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.

Alex Heeney / September 26, 2018

TIFF should do more for Canadian cinema

The Canadian films at TIFF this year were especially great, but the festival should have done more to bring them to the attention of critics and audiences. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.

Alex Heeney / September 25, 2018

TIFF18’s brightest star was Canadian cinema

At TIFF18, almost all of the best films I saw were Canadian — and that’s not grading on a curve. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.

Falls Around Her, Darlene Naponse

Alex Heeney / September 9, 2018

Interview: Falls Around Her centres a complex, middle-aged, Indigenous woman

Writer-director Darlene Naponse on Falls Around Her, making a film about an unconventional protagonist, capturing the beauty of a landscape through both visuals and sound, and the respect and care required to film on reservation land. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.

Rebecca Addelman, Paper Year

Orla Smith / August 2, 2018

Establishing Shots: Rebecca Addelman on her marriage drama, Paper Year

Rebecca Addelman discusses Paper Year, fictionalising her first marriage into her feature debut, which took years of rewrites, great casting, and generous collaboration.

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