Zoe Leigh Hopkins, director of Run Woman Run, talks about telling a different kind of coming-of-age-in-your-thirties story, filming in her home of Six Nations, and more.
In Her Chair
Female-identifying directors reflect on their experiences making films and leading creative teams.
Lynne Sachs on Film About a Father Who and a career of personal filmmaking
Eight films by Lynne Sachs premiere on the Criterion Channel today, including her new feature, Film About a Father Who. We sat down to discuss the decades long process of making a film about her father, and how that project relates to her other films about family.
‘The more we went inside Lise’s perspective, the better it got’: Tea Lindeburg on As in Heaven
Director Tea Lindeburg discusses her remarkable film As in Heaven about a day in the life of a teenage girl about to lose everything in 1880s Denmark.
Devery Jacobs: ‘I had never seen it be done until I started doing it’
Actress-director-writer-producer Devery Jacobs discusses her career-long love of storytelling, from Rhymes for Young Ghouls to Reservation Dogs.
Kímmapiiyipitssini: The Meaning of Empathy: Elle-Máijá Tailfeathers on her vital new documentary
Kímmapiiyipitssini: The Meaning of Empathy chronicles the opioid crisis facing the people of the Kainai First Nation and how “harm reduction” practices can save them.
Grace Glowicki on the strange experiments of her directorial debut, Tito
After her Canadian Screen Award nomination for Best First Feature, we spoke with multi-hyphenate Grace Glowicki about Tito, her oddball directorial debut.